Horizon

[Horizon]

Ahhhh, that’s clever! Totally makes sense! I’m super bummed for not thinking about this myself.. haha!

I love it, thank you so, so much! 🙂

[Horizon]

Thank you Simon. Yes, I used the key follow modulator and realized the LFO max out at 20hz. Do you know any other way to achieve a volume on / off at the Hertz-rate of every individual note?

 

• This reply was modified 1 year, 3 months ago by Horizon.

[Horizon]

Thanks for your reply, Simon! I appreciate it 🙂

Unfortunately, “Song Position” Trigger mode is only available for LFO’s but not Multi Envelopes. 🙁

[Horizon]

Anyone knows how to get this done? 🙂

[Horizon]

Thank you!!

[Horizon]

Anyone?

[Horizon]

Hey Simon,

Super sorry for the late response! Been away over Christmas and have only come back now.

Thanks for the answer, I appreciate it! Well, if it would help, I could create a sound sample in which you can hear what the pluck and phase randomization do. It’s both kind of simple but at the same time hard to replicate in Falcon.

I have not had any success using the additive oscillator in Falcon. Given what additive synthesis can do, I find Falcon’s additive oscillator leaves a lot to wish for (but that’s another topic).

Now something else: When I try to modulate a filter cut off on Program level, it seems not to be possible to use Envelopes (which is a shame). LFOs do work, but how can I make them trigger only once? I can’t seem to get this done and having to apply the same modulation on every keygroup seems very inconvienent. Any tips on that?

Cheers,

Horizon